These photographs are not documents of places visited. They are residues of attention, the trace left when a camera accompanies sustained looking over time, across cities lived in and landscapes returned to, through the ordinary arrangements of light and form that most days pass unnoticed.

What interests me is not the decisive moment but the persistent situation: the way a city repeats its own logic across decades, the way matter holds its form against time, the way human presence leaves its mark on spaces that were there long before and will remain long after. The camera, for me, is not an instrument of possession but a device of thought – another way of asking what it means for something to be.

Wander slowly.